Authors:
Dr. Munazza Mubeen [1], Dr. Naqeeb Ahmad Jan [2],
DOI: https://doi.org/10.37605/tauseeq.v6i1.1
DOI: https://doi.org/10.37605/tauseeq.v6i1.1
Abstract
ME SOZAM is a novel written by Dr. Humera Ishfaq. The storyofthenovel belongs to the era of the Persian poet RODKI. Various dimensionsofintellect overwhelm the story, which prove the writer a learned andseasonedone. The heroin of the novel Rabia Khuzdari represents intellectuallyandmorally strong women, who proved that the king trusted upon her morethanhisson. On the other hand, the novel demonstrates the tribal systemandtraditionsof Balochistan. This article shed light on the era described in the novel as well asthe personality of the writer.
Authors:
Muhammad Raza [1], Prof. Dr. Fozia Aslam [2],
DOI: https://doi.org/10.37605/tauseeq.v6i1.2
DOI: https://doi.org/10.37605/tauseeq.v6i1.2
Abstract
This research paper examines the short story Bheriya (The Wolf) byFarooqSarwar through the lens of eco-criticism, focusing on its inclusion in Urdutextbooksandits relevance to contemporary environmental and social discourse. Bheriya is asymbolicnarrative that critiques systemic injustice and highlights the interconnectednessofhumansuffering and environmental degradation. Farooq Sarwar, a multilingual writer andlegalprofessional, uses this allegory to reflect on societal inequalities andtheimbalancecaused by the exploitation of natural and social resources. The study explores how the story underscores the role of mutual awareness andcollectiveaction in addressing social and environmental challenges. By examiningthethemesofoppression, resilience, and hope, this paper argues that Bheriya serves as avaluablepedagogical tool to instill ecological consciousness and social responsibilityinyoungreaders. The analysis emphasizes the story’s ability to inspire critical thinkingaboutjustice, equity, and sustainability, making it a vital part of Urdu literary education.
Authors:
Syeda Rukhsana Fida [1], Dr. Basmeena [2],
DOI: https://doi.org/10.37605/tauseeq.v6i1.3
DOI: https://doi.org/10.37605/tauseeq.v6i1.3
Abstract
Support of oppressed women. Khadija Mastoor of her society. I showedtheireconomic and economic problems by writing fiction. Economic contributionofwomenin the development of any society. It plays an important role. They havetriedtogivethem their legitimate rights by presenting the Thai eyes of the local class duetotheirlack of education and wealth, and by humiliating, oppressing and oppressingmen.Freedom in the themes of Khadija Mastoor's fiction. Desire, hatred of slavery, passionfor change in society, seven class contradictions, women's independenceandpsychological entanglements created by migration and isolation at thetimeoftheestablishment of Pakistan include male oppression, dominance and partial abuse. Khadija Mastoor dreams of a peaceful and educated society. Areflectionofhispersonal life is also seen in many of his fictions.
Authors:
Dr. Muhammad Amjad Kallu [1], Dr. Ghazal Yaqoob [2], Dr. Sadia Kanwal [3],
DOI: https://doi.org/10.37605/tauseeq.v6i1.4
DOI: https://doi.org/10.37605/tauseeq.v6i1.4
Abstract
This paper explores the dynamic linguistic landscape of Urdu inthecontextofinterlingual interactions, focusing on the impact of globalization, multilingualism, andsocio-cultural transformations. Traditionally seen as a marker of SouthAsianculturalidentity, Urdu today is undergoing significant shifts due to contact withEnglishandregional languages, as well as exposure to digital media. The study analyzesemerginglinguistic phenomena such as code-switching, lexical borrowing, andhybridization,highlighting their role in the evolutionary trajectory of Urdu. It also examines howUrdu,while being influenced by other languages, exerts a reciprocal cultural andlinguisticimpact, particularly in media and popular discourse. Furthermore, the increasingvisualpresence of Urdu in public and commercial spaces opens newavenues for researchinsemiotic and urban linguistics. The paper concludes by advocatingforaninterdisciplinary approach to Urdu studies that incorporates contemporarylinguistictheories and promotes scholarly engagement with Urdu's evolving identityinaglobalized world.
Authors:
Dr. Umar Farooq Sial [1],
DOI: https://doi.org/10.37605/tauseeq.v6i1.5
DOI: https://doi.org/10.37605/tauseeq.v6i1.5
Abstract
Plagiarism refers to the act of presenting another person's research, ideas,orcreative work as one's own without giving due credit. Research is consideredahighlyrespected and noble pursuit, but when ethical principles are violatedwithinit,theintegrity of research is compromised. This violation is known as plagiarism. Plagiarism is not limited to material or physical objects, it also includes intellectualandpractical assets. Historically, plagiarism has often occurred in literary creations. Whenapoet or novelist benefits, either openly or secretly from the research or experienceofanother creator and does not acknowledge the source, it falls under thecategoryofplagiarism. In the modern age, various digital tools have emerged that not only assist writersbutarealso capable of generating detailed articles from a single prompt throughartificialintelligence. Generally, when a human researcher commits plagiarism, anindividualorinstitution may detect it and raise their voice. However, in the case of machine-generatedplagiarism, tools such as ChatGPT, DeepSeek, and many other similar softwarenowavailable in the market can produce entire texts, making detection more complex. Plagiarism is a violation on both moral and legal grounds. Therefore, in this newera,itisnecessary for institutions to enact regulations that address the various forms of plagiarismemerging from AI-assisted research, so that such practices can be minimized.
Authors:
Dr. Ghulam Farida [1],
DOI: https://doi.org/10.37605/tauseeq.v6i1.6
DOI: https://doi.org/10.37605/tauseeq.v6i1.6
Abstract
Mumtaz Mufti is one of the most celebrated writers in Urduliterature, He is known for his unique storytelling style, introspective themes, anddeepunderstanding of human psychology. His short stories often explore complexhuman emotions and social issues in a poignant and thought-provokingmanner. His story Aapa is a legend in the history of Urdu fiction. Character of Aapaisasymbol of selflessness, sacrifice, and quiet endurance. Despite her ownsuppressed desires and unfulfilled dreams, she works tirelessly toensurethehappiness of others. Through Aapa’s character, Mumtaz Mufti critiques societalnorms that place undue burdens on women, particularly elder sisters, expectingthem to sacrifice their own happiness for the sake of their families۔ However, there are many technical gaps in the story. In this paper, a deconstructivestudyof the text will be done, which will reveal all the gaps and gray areas.
Volume No. 06
Issue No. 01
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