TAUSEEQ

Authors:   Nabeela Shaheen [1], Salma Mehboob [2],
DOI: https://doi.org/10.37605/tauseeq.v7i1.1

Abstract

Dr. Basmeena Siraj’s book Khyber Pakhtunkhwa mein Khawateen Safarnama Nigar: Ek Mutala was published in December 2019. In this critical study, the author analyzes travelogues written by 9 women travel writers from Khyber Pakhtunkhwa between 1993 and 2018. The study examines the literary contributions of Qudsia Qadri, Musarrat Jahan, Salma Shahin, Aftab Iqbal Bano, Bushra Farrukh, Riffat Nasir Ali, Atiya Parveen, and Musharraf Mubashir. Siraj highlights how these women writers shifted travel writing from a male-centered, fact-based narrative to a feminine perspective focused on emotions, cultural observations, human relationships, and social issues. The research concludes that women travel writers’ enriched Urdu literature by introducing sensitivity, detailed observation, and personal experience into the genre. Their work proves that women from Khyber Pakhtunkhwa are not only observers but also interpreters of culture and history. This book serves as an important document for understanding the evolution of women’s literature in the region.

Authors:   Dr. Raheela Bibi [1], Ambareen Begum [2],
DOI: https://doi.org/10.37605/tauseeq.v7i1.2

Abstract

This research paper presents a concise critical analysis of the resistance elements in the poetry of Zeb-un-Nisa Zebi, a prominent contemporary voice in Urdu literature. While Zebi is globally recognized for her realistic style and profound social observation, a dedicated academic exploration of the rebellious and reformative undertones in her work has remained largely unaddressed. Utilizing a qualitative and analytical methodology, this study investigates how Zebi employs her creative expression to challenge social inequalities, address feminine struggles, and advocate for the marginalized. Drawing primary evidence from her collected works-Sukhun Tamam, Kar-e-Dawam, and Harf-eNa-Tamam-the paper evaluates her artistic defiance against tyranny and establishes her distinct position within the tradition of modern Urdu resistance poetry.

Authors:   Dr. Salma [1], Kainat Gul [2],
DOI: https://doi.org/10.37605/tauseeq.v7i1.3

Abstract

Saeed Ashar, who belongs to Haripur, represents a significant voice in contemporary Urdu poetry. His poetry reflects a harmonious blend of classical tradition and modern sensibility, demonstrating a deep awareness of both literary heritage and evolving intellectual trends. Drawing extensively on the principles of ‘Ilm al-Badi’ (the science of literary embellishment), he skillfully shapes his ideas into an aesthetically refined and intellectually engaging form. His poetic expression is marked by simplicity in language coupled with depth of thought and emotional intensity. While his verses appear fluent and accessible on the surface, they contain multiple layers of meaning and a subtle symbolic framework. By employing rhetorical and stylistic devices with balance, precision, and artistic elegance, he enhances the beauty, rhythm, and impact of his ghazals. Through a creative fusion of tradition and innovation, Saeed Sahar has established a distinct artistic and intellectual identity in Urdu poetry.

Authors:   Dr. Sadaf Ambreen [1],
DOI: https://doi.org/10.37605/tauseeq.v7i1.4

Abstract

Aziz Ejaz is one of the prominent contemporary Urdu poets whose poetry reflects romanticism, human emotions, social consciousness, and artistic excellence. His poetic collection Pindar demonstrates a remarkable use of rhetorical and literary devices that enhance both the beauty and effectiveness of his expression. This article critically examines the application of Ilm-ul-Bayan (figures of speech) and Ilm-ulBadi‘(embellishments) in Aziz Ejaz’s poetry. Through an analytical study of selected verses, it explores the use of simile, metaphor, metonymy, and allusion, along with various rhetorical devices such as tajnis (paronomasia), ishtiqaq (derivation), repetition, and contrast. The study concludes that Aziz Ejaz successfully combines artistic craftsmanship with emotional depth, making his poetry aesthetically appealing as well as intellectually engaging. His mastery of classical rhetorical traditions places him among the significant voices of modern Urdu poetry.

Authors:   Dr. Zeenat Bibi [1],
DOI: https://doi.org/10.37605/tauseeq.v7i1.5

Abstract

Zaitoon Bano has portrayed the internal structure of Pashtun society, its traditional values, social inequalities, and human behavior in a realistic manner in this novel. The narrative addresses issues such as the violation of women's rights, injustice in inheritance, deprivation of girls' education, early marriages, child engagements, sexual exploitation, class disparity, selfishness, judicial injustice, the negative consequences of consanguineous marriages, moral decline, and social deterioration. Through an analysis of various characters, events, and dialogues, this study attempts to demonstrate that Zaitoon Bano is not merely a storyteller but also a sensitive social thinker and a realist writer who reflects the problems of her age. The issues depicted in the novel are not confined to a single family or social class; rather, they represent the collective psychology, cultural values, and social contradictions of Pashtun society as a whole. The author has explored the conflict between tradition and modernity, the deprivation of women, the importance of education, the complexity of human relationships, and the absence of social justice with artistic consciousness and intellectual depth. From a research and critical perspective, this study reveals that Dhol is a socially realistic novel that serves not only as a source of entertainment but also as an intellectual, cultural, and reformative document. Alongside vivid depictions of Pashtun culture and traditions, hospitality, the Jirga system, purdah, and rural life, the novel also highlights those social evils that adversely affect human life. In this way, Zaitoon Bano, through the harmonious blend of art and thought, has not only reflected the social issues of her time but has also emphasized the need for the development of a more balanced and enlightened social consciousness. These qualities make Dhol a significant and distinguished example of social realism in Urdu literature

Volume No. 07

Issue No. 01